Plot The novel is propelled through its hundred or thousand pages by a device known as the story or plot. This is frequently conceived by the novelist in very simple terms, a mere nucleus, a jotting on an old envelope: The dramatist may take his plot ready-made from fiction or biography—a form of theft sanctioned by Shakespeare—but the novelist has to produce what look like novelties.
Family Structure and Gender Roles Themes and Colors LitCharts assigns a color and icon to each theme in The Lottery, which you can use to track the themes throughout the work. Philosophers throughout the ages have similarly questioned the basic structure of human character: Without rules and laws, how would we behave towards one another?
Are we similar to animals in our basic selfish needs, or do we possess unusual rationality, or unusual cruelty, that sets us apart from the rest of the natural world? Numerous details in the text establish the fundamental normality of this unnamed town, which is intentionally designed to seem timeless and universal.
If this type of violence could happen anywhere—as Jackson suggests—then it must be due to some innate aspect of human character. In the town, no one speaks out against the lottery before a name is drawn.
The prevalence of violence in children, Jackson suggests, is even more conclusive proof that violence and cruelty is an inherent part of human nature.
How often theme appears:In Shakespeare’s Humanism (), for example, Robin Headlam Wells argues for the “centrality of human nature in Shakespeare’s mental universe,” suggesting that “criticism can move on from an outdated anti-humanism that has its intellectual roots in the early decades of the last century to a more informed modern understanding [of] human universals” (Wells 5).
It was included in in the first volume (Miscellanies) of the Little Classic Edition of Emerson's writings, in in the first volume (Nature, Addresses, and Lectures) of the Riverside Edition, in in the first volume (Nature, Addresses, and Lectures) of the Centenary Edition, and in in the first volume (Nature, Addresses, and Lectures) of the Collected Works published by the Belknap Press of .
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Literature and Terrorism In an age of terror, how does literature help us transcend our reality, lend perspective to our confusion by pulling us into the past and other cultures, and give expression to our anguish and fear through catharsis? "Turner makes a cogent and often colorfully argued case for blending’s importance as crucial to the development of new ideas and imaginative works."Publisher's Weekly.
Macbeth: The Evil Within - It is evident from the beginning of the play that Macbeth is sheltering something sinister within him. At that moment, it can only be guessed as to what it is, but as the play moves along this terrible feeling grows and feeds on Macbeth’s paranoia and his disappointment with life as a whole.